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September 30, 5: There will be full-on spoilers for the films discussed.
It was a year especially packed with quality cinema, two of which exist in the same Western realm as this film: All three films received huge critical acclaim and went on to Oscar status. When I walked out in awe of that afternoon showing a decade ago, I knew I had seen something special.
Something about the mood of the film, the atmosphere of longing and regret and beauty set against violence got to me in a way few other films have. Evoking the early work of Terrence Malick, in particular Days of Heaven, the resplendent cinematography by perhaps the greatest living cinematographer, Roger Deakins, paints this potentially cold world of violent train robberies, celebrity obsession and ultimate disillusionment with sumptuous contradictory blues and oranges, each frame a fitting prospect to be framed on a wall in its own right.
The scene is shrouded in near-darkness, Jesse lying with his ear pressed on the tracks waiting for the rumble of the train.
And then it appears from out of the darkness. It grinds to a halt to avoid the obstruction Jesse has set up, the light from the front illuminating the gang and Jesse in particular as he stands aloft.
Smoke billows out and, in a shot that Deakins himself has remarked as one of his finest career moments, Jesse walks through the smoke with his face covered and two guns held out. No matter how many times I see it, that moment always gives me goosebumps. Music is a crucial ingredient in what makes the film so effective.
I have listened to it countless times independently from the film and never get tired of it. The film has a perfectly assembled cast of wonderful actors, from Brad Pitt and Casey Affleck at the core of the tale and an array of peerless modern character actors manoeuvred around the story like chess pieces, from Jeremy Renner and Sam Rockwell to Garret Dillahunt and Paul Schneider.
Take Dillahunt for example, who plays Ed Miller, the most soft spoken and nervous of the gang. The film pays attention to those who support the titular duo in a way that makes for hugely satisfying viewing again and again.
Undoubtedly the film makes us understand that Jesse James the legend and Jesse James the man are two very different prospects. Affleck who received a more than deserved Oscar nomination for his performance is absolutely fascinating as the so-called cowardly year-old Robert Ford.
The Assassination of Jesse James is about many things: Jesse was everything to Bob as far back as he can remember and would still keep a treasure trove of stories in a tin box under his bed. I mean, you begin with our daddies.Why I Love is a new regular essay feature on the site in which I explore films that have become firm favourites, looking at why they have stuck with me in particular and what I think makes them so special.
Barack Obama met his spouse Michelle Robinson, while he was an intern and she was on staff at Sidley Austin LLP, a very large corporate law firm.
Despite company policy prohibiting relations between staff and interns, the two became involved.
Essay on Crash - a Portrayal of Diversity or Stereotypes Words | 3 Pages Because the characters in “Crash” portrayed a variety of ethnicities, the movie attempts to address the diversity represented in the American landscape and also the stereotypes connected to these ethnicities.
Racism in Crash Essay; Racism in Crash Essay. Words 7 Pages. Physical Characteristics and racial differences are distinguishing traits that keep people in our world apart from each other.
Crash is a movie that showcases prejudice and racial stereotypes. For this film analysis, I have chosen to discuss the racism portrayed throughout a.
The Value of Nothing, Raj Patel, July 28, Flawed assumptions about the underlying economic systems contributed to this problem and had been building up for a long time, the current financial crisis being one of its eventualities. Paul Haggis’ Crash was one of the biggest movie hits of Wining three Oscars at the Academy Awards, this film is undeniably written in film history as one of the greatest of this generation.